Empty suburban houses, an abandoned courthouse, a sunbaked, desolate car park, grimy archival footage, faux-looking reconstructions, a haunting voice-over and cops speaking with overblown confidence about an old case... the over-familiar elements of true-crime are stripped of all action and spectacle as filmmaker and multimedia artist Charlie Shackleton explores how popular culture, mass media and narratives create meaning through genre conventions. His film about the Zodiac Killer, which he never made due to a copyright issue, was made after all, albeit in an indirect way.