In the mid-1980s, Swedish mining company Boliden shipped tons of toxic waste to Chile for ‘safe handling’ by the local company Promel. In reality, most of the waste was simply dropped in Arica, in the north of Chile. The residents suffered from many diseases, babies were born with abnormalities, and there was a dangerously high amount of arsenic in the air. When young filmmakers Lars Edman and William Johansson brought this story to light in their debut Toxic Playground, it was the beginning of a lengthy legal battle. One of the people in that film was a young girl named Joselyn. She has grown into a young woman who named her child after one of the filmmakers. The film and the fight for justice is not only a technical legal tangle, but also a daily reality for Arica and its inhabitants.